About

I started making things on a hand-me-down desktop, mostly badly. The first thing I finished was a poster for a school play that nobody asked me to design. I have been designing things nobody asked for ever since, and occasionally people pay for them.

Now I work across identity, motion and film. That usually means the same project twice: once as a system — type, colour, grid, the rules — and once as a sequence, where those rules have to survive contact with time, sound and someone's attention span.

I care about the seams. The moment a logo becomes a title card, the cut where a colour grade shifts, the frame where a type lockup resolves. Those transitions are where a piece either feels made or feels assembled.

Outside of client work I shoot on film, cut short documentaries, and keep an archive of photographs of doors that I will one day justify to someone.